just like: yeah, lets do it, whatever it is, lets. Thinking about this public stage. But it all comes from the same place. Ecstatic Resistance wants to think about all that is unthinkable and unspeakable in the Eurocentric, phallocentric world order. In particular I think Sense and Sense made sense for how I was thinking about Sergels torg as a utopian space, a practical site, an ideological location, and a representation of the city. Ecstatic resistance set forth a vocabulary of the impossible and the imaginary, but right now my personal practice is more involved in the relationship between struggle and improvisation. I like those kinds of relationships. Like when thinking about this project I do for Konsthall C, I actually go back to the place of Do I want to be an artist? So I have known her for a while and I have watched her. To think about movement, what it means to plan a place for protest to happen and what does that do to the rest of the city and how are things activated and used. Could you say something about that? It develops the positionality of the impossible alongside a call to re-articulate the imaginary. To me it is all quite natural. Hon är även redaktör och en av grundarna till den queerfeministiska tidskriften och konstnärskollektivet lttr och ingår i bandet MEN. Its not like anybody could. She really thinks about the deepest practicalities of what it takes for a body to do something and that is a really fun way for me to think about the images that I would like to make.
Durchgepr?gelt hat nichts: Professionell arab sex i stockholmEspecially the video, it doesnt work without her. It is very important for me to relate what I do to people around. Carl Palm, (utställningstekniker cecilia Nygren (utställningsassistent hans Carlsson (assistent). There is nobody else in the world I would do this for! KE: As you mentioned earlier, you have curated a group exhibition where you developed the concept ecstatic resistance, which was also the title of the project. ER: That is interesting, because I recently recognized that every single time I start a project I start from zero. ER: My own interests and passions share a vocabulary with the project, but the concept was a way of interacting with a set of ideas and potentials that I was experiencing in the worldI didn't develop.
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